working on work/life: Lea Vervoort

The submission deadline for my 100 artists is nearing, so my inbox is bursting with questions, artwork and downloads. While I'm busy sorting, here are some images of Lea Vervoort working on her illustration for the forthcoming Work/Life book.

From her home studio in the Netherlands, Lea answered some of our questions on her illustrated life:

Has being an illustrator affected your personal life? (ie the choice of where or how you live?) Actually I can live where ever I want to. My work is international orientated. As long as I have a roof, my computer and my paper with pencils I can work. 

Does your personal life (i.e. children, working from a home studio) affect your career? Working from a home studio sometimes affects my career. I would love to work at a studio away from home, but I'm not able to afford it (yet).

Lea's sketch for her Work/Life illustration.

Lea's sketch for her Work/Life illustration.

How do you maintain a balance between your work and your life? (or not?) Illustration is a really big part of my life. It’s my passion and it's my work. And even if I’m not working I’m thinking about it, so there's not really a balance between work and life here. But I don't mind, it makes me happy.

What is your ideal day? A day with lots of sun! Living in the Netherlands with all the rain can be a bit depressing sometime.

Where do you work? Do you have a studio at home or somewhere else? How is your workspace enhance or hinder creativity? I work at home. I live together with my boyfriend. He is an animator and works from home too. We share the office, a room (15m2) next to our living room. It's quite nice to have company of another creative soul.

The full illustration will be revealed in the book!

The full illustration will be revealed in the book!

Is your image-making inspired by personal interests or do you prefer to be driven by specific assignment? Mostly my image-making is inspired by a specific assignment, but I always try to put some things of own interest in it too. And when I have some spare time I love to make personal work.

How is your creative vision expressed through your work? Because of my imagination I love to create/make up worlds. In my work you are likely to find things like environments, surroundings and cities with a certain atmosphere or characters such as animals, people or non-existing beings. Sometimes I’m still a kid who thinks that grown-ups are boring. With my work I hope to surprise and bring back a little sparkle to dusty lives.

work/life 3: Kelly Angelovic

Another highlight of last night's event was meeting illustrator Kelly Angelovic who lives here in Boulder. Kelly is one of the 100 illustrators that I am profiling in Work/Life 3. I am honoured that so many talented people like her have invested in this project.

In order to create a unique assignment for each Work/Life participant, I sent everyone a fairly extensive list of questions about their life and career. Here is an except from Kelly's answers:

How would you describe your illustration style? 

Specializing in digital illustration, my style is layered, sophisticated and whimsical.

How is your creative vision expressed through your work? 

This life is big and wonderful. And full of pain. Through my work, I hope to infuse the world with a little more joy. A little more fun.

Do you keep a sketchbook or journal? How does this inform your work? 

I have a journal that I write and sketch in. Some artists have sketchbooks that are works of art in themselves. Mine do not look like that. They are rough, scratchy, and unrefined. But I take those crude drawings and start drawing digitally until I have something that I like.

What inspires you? 

Colour. Graphic design. Athletes. TED Talks. Musicians. Other people that have gone after their dreams and found success. Other illustrators. Artists. Interior design. Fabulous kid’s books. Architecture. UPPERCASE magazine. Letterpress. The creative potential of the human race.

Do you have hobbies or special interests? Do they relate to you career in any way? 

I couldn’t rightfully call myself a Colorado native if I didn’t love to ski and do all things outdoor (cycling and hiking are at the top of the list). Yoga is a big part of my life. Creating. Writing. I don’t know what I would do without music. I get a lot of ideas when I am out moving my body. And it helps me decompress, an important counterbalance when I am up against a deadline and working into the wee hours of the night.

What would be your dream illustration assignment? 

I would love to illustrate a beautifully written, whimsical children’s book. Or the cover of UPPERCASE magazine.

What is your benchmark for success as an illustrator? 

Being able to work as an illustrator, without having to take on another gig, and make enough money to enjoy my life. Not in a fancy, huge house kind of way. Just in a ‘I can pay the mortgage, take care of my children, and go on vacation once in awhile’ kind of way. The artist in me rejects that notion that success should hinge on financial metrics, but the realist in me knows that if I can’t pay the bills, then it doesn’t work.

Why did you become an illustrator or artist?

When working on a project that I’m really excited about, I get this buzz...an electric current of excitement that lights me up from head to toe. I am an illustrator because it makes my soul sparkle.

fans all around

The cover of the latest issue of Covet Garden was illustrated by Work/Life 3 participant and regular UPPERCASE contributor Alanna Cavanagh. Covet Garden is interested in spaces that have not been styled by interior decorators and that reflect the passions and interests of those who live in them. In a happy coincidence, Michelle, one of Covet Garden's participants, happens to be a fan of issue #16

work/life 3: Ekaterina Trukhan

Congratulations to Work/Life 3 illustrator Ekaterina Trukhan. Her second children's book is out this month:

"Patrick wants a dog! But when he asks his mum, she doesn't hear him and his dad is always too busy to say yes. So Patrick decides he'll just have to go and find a dog himself. But he gets more than he bargains for when he comes across a monster instead . . ."

Finley and I are also fans of Ekaterina's first book, Me and My Cat.

work/life 3: Elizabeth Olwen

"Hello! I'm Elizabeth Olwen and I'm a Toronto-based Surface Designer. Thrilled to announce that I'll be exhibiting at Surtex from May 19-21, 2013 at booth 752. This video will tell you a bit about me and my work, and there's much more on my website at www.elizabetholwen.com. Hope to see you at Surtex!"

As I was reviewing portfolios for possible inclusion in Work/Life 3, I noticed a few illustrators were incorporating videos in their portfolios. Here's one from Elizabeth Olwen, whose beautiful patterns are sure to be hit at next month's Surtex show in New York City.

node rugs

Node Rug design by Lesley Barnes

Node Rug design by Lesley Barnes

Node Rug design by Donna Wilson

Node Rug design by Donna Wilson

Work/Life artist Lesley Barnes wrote in to let us know about these illustrated rugs available at the Design Museum. They are made by Node Rugs, a fair trade company founded by illustrator Chris Haughton who partners with Nepalese carpet makers. Intriguingly, Node offers illustrators and designers the opportunity to have their own work made into rugs. See the guidelines here.

Artisans finishing a rug.

Artisans finishing a rug.

A rug design by Jon Klassen is knotted by hand.

A rug design by Jon Klassen is knotted by hand.

work/life 3: filling up!

I am still accepting portfolios in consideration of Work/Life 3: the UPPERCASE directory of illustration. The book is filling up nicely with 60 fabulously talented people already included. Here is a sampling of the quality of talent that has been accepted into this curated book, presented in pairings of objects and concepts curated from their portfolios.

…and that's just the people whose last names starts with the letter B! Read more about Work/Life here.