Calling Card: A Gathering of Stitches

A Gathering of Stitches is offering some amazing retreats next year! Participants will have the opportunity to work intimately with some really talented and generous teachers in 2015. 

Sherri Lynn Wood of Daintytime will be spending two intensive days teaching a small group to quilt with curves, April 30 and May 1, using the extensive facilities of AGOS. Wood’s first book, The Improv Handbook for Modern Quilters will be published by STC Craft in March of 2015.

In July, Amy Butler and Heather Jones will lead a small group through their colour stories, and how to translate them into quilts. This exclusive retreat will take place at the luxurious Point Lookout resort in Northport, Maine.

The dynamic trio of Carolyn Friedlander, Chawne Kimber and Rebecca Ringquist take up residence at the Medomak Retreat centre in Washington, ME, in August, for a long Slow Stitching weekend. Slow down and connect to needle and thread or floss in a summer camp setting with a small community of stitchers.

For the garment sewists, Lauren Taylor of LLADYBIRD will spend four days exploring the joys of making clothing at AGOS. Start the Fall with new skills for creating your very own handmade wardrobe at this September workshop.

Thank you to Samantha Lindgren for her support of UPPERCASE magazine through the purchase of this Calling Card ad.

Step away from the computer

Looks like a fun time can be had at Grafisch Werkcentrum Amsterdam.

The making of a Japanese Kokeshi doll

Discovered thanks to a tweet from Brent Wilson.

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New Craft Coalition: Meet the founders

New Craft Coalition was founded by three enterprising women crafters, Kari Woo, Laura Sharp and Natalie Gerber. "We are makers, moms, entrepreneurs and firm believers in the power of art, craft and design to change not only our communities, but the world. Our current mission is to bring a carefully curated collection of independently produced, Canadian art, craft and design to the people of Calgary twice annually, with other plans unfolding all the time!" 

Laura Sharp, above, creates her wares under the name White Owl Ceramic Studio. Her work is distinct with her graphic black and white, hints of turquoise and love of birch motifs. "I mostly attend art and fine craft shows and sell my work to an audience already won over by the greatness of handmade objects. I enjoy meeting all the people who have invested in my work, their feedback, encouragement, and support has been absolutely priceless.  I look forward to many more years of growing, developing and dreaming." 

Kari Woo's jewellery is a study in simplicity and quality. Kari used to co-own INFLUX Jewellery, one of my neighbours in the former Art Central. She has since moved to Canmore with her family and makes things from her home-based studio.

"In 1993 the I found the art of jewellery making, literally by accident," says Kari. "While recovering from a serious snowboarding injury I enrolled in my first jewellery class on a whim. It was love at first make! Now, two decades later, I am still at it and I still love it. My aim is to create substance and meaning through design. Patrons know my work through two distinct collections of sterling silver jewellery that offer the wearer versatility, comfort and simplicity."

Natalie Gerber designs home wares and hand bags using her own surface pattern designs. You might recognize her from the UPPERCASE Surface Pattern Design Guide (issue 21) and I also photographed her and her studio back in issue 13.

"As an artist, designer and maker I am inspired to create functional design for everyday living. While craftsmanship is important to my creative process, so too is function. I combine my love for illustration, surface design, clean lines and hand-printed fabrics with conscious material choices and in-studio practices.

My South African background influences my aesthetic, while inspiration is drawn from styles that include Art Nouveau, Art Deco and Mid-Century Modern design. From detailed sketches to mark making and loose line drawings, I explore the above within my work and transfer the imagery onto textiles through silkscreen printing."

 

The show opens today at 4pm at the Festival Hall in Inglewood. I'll be there with the latest issue of UPPERCASE plus some good deals on back issues and other print products. See you there!

New Craft Coalition: Sarah Pike Pottery

As you can see from my previous posts, there are some pretty talented ceramicists showing at New Craft Coalition this weekend. Sarah Pike will be visiting us from Fernie—you have to admire artisans who travel to shows with vehicles full of breakables!

Sarah writes:

I am interested in pottery with personality, beauty, and attitude. The marks of process, the slight distortion or off-round from a gentle hand, or the fingerprints on glaze and slip are all a part of the language with which my pots exclaim, "I was not machine-made, I was not mass-produced, I was made by fingers and hands, in a small studio, by an artist listening to music, dreaming and making." Because in a time of mass-production, consumer culture and waste, the handmade object brings us back to the intimacy of human nature.

New Craft Coalition: Kalika Bowlby

Kalika Bowlby is a ceramicist living in Nelson, British Columbia who will be bringing her wares to Calgary for the New Craft show. (How perfect is her name, for a potter?)

"I love living in a small mountain town but visiting big, bustling cities. I wish I could ride my bike every day, make every meal feel like a celebration and that each thing I make would be better than the last.I feel blessed to be both a mother and maker, to use my hands to make and share objects that become part of others lives. Hopefully, these objects will survive the ebb and flow of life because I think that things get better with age, use and understanding."

New Craft Coalition: Juliana Rempel

Juliana Rempel is another ceramicist showing and selling at New Craft Coalition this Friday and Saturday. About her work, Juliana writes:

Recognizing ceramics undeniable connection to life, the home and to the mundane activities of our everyday, I look for potential in these objects as registers of information and as the archetypes of our lives. We are comfortable with ceramics as both a material and as an object, allowing permission for it to become part of our personal space. This established relationship we have developed, holds the potential to be taken out of a comfortable home context and disjointed, dislocated and to be re-introduced as something other then utilitarian.

In a gallery, ceramics becomes a representation of the objects that are the silent bystanders of our lives, the symbols of our day. By dislocating our expectations of them, questioning our understanding of them and utilizing them for their symbolic value I introduce these objects in a gallery context, ultimately questioning our understanding of ceramics and bridging the gap between art and life.

New Craft Coalition: Cathy Terepocki

These gorgeous ceramics are by Cathy Terepocki, a regular exhibitor at New Craft.

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Cathy writes:

From a young age, I developed an appreciation for materials and an awareness of how things were put together. I grew up around handmade objects, in a culture where things were used and re-used. Materials were recycled to create something new. Fences were mended, sweaters darned, old shirts and dressed made into quilts. When I travelled through third world countries I was always struck by the innovative ways things were repaired and everyday materials were re-purposed to extend the life of something that would otherwise be discarded. 


One of the constants throughout my practice has been combining print-making techniques with ceramic processes, primarily pattern and imagery. Recently I have been bringing mixed materials into my pieces, particularly re-used materials. In both cases I am particularly interested in components that have had a past-life or for the narrative quality they construe. In addition they add texture and richness to the pieces. Re-contextualizing these elements also gives them new meaning and elicits new appreciation from the user. 


The forms I use are usually wheel-thrown. The surfaces are developed by building up layers of print including basic mono-printing techniques when the clay in wet, in-glaze or laser decals after the pieces are glazed and repurposed commercial decals to finish off the piece and provide one more layer of complexity, beauty and nostalgia.

I have a 'thing' for following ceramicists on Instagram. I love seeing all the works lined up pre and post-firing. Follow Cathy here.

New Craft Coalition: Carole Epp

More cuteness will be in store for shoppers at New Craft Coalition. These functional ceramics are by Carole Epp, another artist from Saskatoon exhibiting this weekend.

From Carole's website: "Her line of functional work explores narrative and whimsy. Inspired by the chaos, the noise, the blur, the wonder, and the creativity of life with two small boys at home. She started making dishes for her first son as an aside to the functional pottery she was already making and now years later it plays a huge part of her studio practice. The dishes illustrate storybook images that can insight smiles and memories for young and old alike."

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New Craft Coalition: Boolah Baguette

How cute is this face? It's a creation by Erin Weiss from Saskatoon, who will be heading to Calgary this week for the New Craft Coalition show.

"I have always been creative — I love drawing, design, painting, rearranging my house, crochet, cutting and pasting, you get the idea. My mom taught me how to sew when I was was young, but I specifically remember balking at the idea of using patterns — I always wanted to make my own version of everything. Sewing machines came in and out of my life, and along the way I made a lot of oddly constructed fabric gifts for friends and clothes for myself. But I was learning to love fabric — the patterns and colours and the fact that a good trip to the fabric store could totally make my day. It all started to come together when I was first introduced to the idea of soft sculpture while in school for a Fine Arts degree. I saw it as the perfect way to bring my drawings of little people and wild creatures into something you could hold. 

After my first child was born I began making and selling children's clothing, and I called my little business boolah baguette — after a favoured childhood doll that was named by my dad and I. With this new creative outlet I let myself experiment once again with cloth dolls and plush creatures of all sorts. I both smile and cringe when I see those original dolls - eyes and arms at odd angles. In my fourth year of doll making I feel like I have come a long way. I take in all sorts of inspiration and the dolls change with the seasons and with my creative needs. It is what I love best about what I do.

I love making these dolls and it is a huge part of my life. At this point boolah baguette is still a one-woman show, and I make each unique doll in my home studio. My time to create is short and sweet, in the middle of raising a young family. I am drawn to natural fabrics like wool and cotton, but I am also quite fond of a super plush fleece or luxurious faux fur. I create by feel and can't stop until I feel like I've finished something that falls into the 'ridiculously cute' category."

Kristina Klarin: beautifully designed for fall

I've always been a fan of Kristina Klarin's large painted wooden beads. Her colour choices are always so interesting. She has just released a new collection, styled for fall, the entire design experience of her online shop is great. 

Kristina was the cover artist for issue 15 a few years ago. Here's an excerpt from our article:

This is no ordinary production line: skewers of freshly painted wooden beads pierce magazine stacks and finished necklaces hang from any available hooks or frame corners of the room. It is awash with vibrant colours, almost as if someone had popped open a fantastical bottle of champagne, its bubbles filling the room with pictorial joy. 

Beyond the immediate sensory overload, one rapidly notices the subtle elegance behind each colour combination. There is not a single faux pas as colours marry each other and respond to each other but never clash with each other. This is a delicate exercise in assembling the right shapes with the right hues, one that Kristina Klarin excels in. 

Born in Belgrade and now living in Milan, Kristina has always been a colour enthusiast, and her experiences with cultural cross-pollination have helped shaped her take on it. Her home country, Serbia, was historically located at the crossroads of different cultures, and it is there that she believes she gained the ability to use colours in bold, unpredictable ways, as well as appreciate “the beauty from spontaneously mixing different aesthetic influences in a more casual way,” she says. On the other hand, her Italian education and professional experiences urged her to focus more on details—“on perfection,” she muses. “I started designing when I was very young. My passion for it brought me first to study textile design at high school and then drove me all the way to Italy where I graduated in fashion design,” she explains. “It’s indeed in Milan that right after my graduation I started working as a fashion designer. Over the years I saw myself shifting from sartorial and elaborated pieces of clothing to more basic, neat designs with a strong focus on their graphical composition and a flair for striking and eloquent details and accessory.” 

Read the full article, written by Olivier Dupon, in issue 15 of UPPERCASE.

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Great Northern Contemporary Craft Fair

The Great Northern Contemporary Craft Fair will be happening in Manchester this week, from October 9 through 12th. I was introduced to the Fair by an UPPERCASE reader, Cherry Chung, who will also be exhibiting her work at the Fair. Cherry is a basket weaver who incorporates ceramics into her basket-making process. She also creates amazing willow outdoor sculptures that I look forward to learning more about... I'll be featuring her work in the winter issue of UPPERCASE. (You never know where one simple email with lead!)

Cherry Chung

Cherry Chung

The event website presents images and links to all the exhibiting artists, which is a benefit for us unable to attend. I'm bookmarking a lot into my idea files! I'm sure the Fair would be amazing to see in person, so if you're in the UK, please go enjoy it on my behalf.

Katherine Lees

Katherine Lees

Jill Shaddock

Jill Shaddock

Stuart Jenkins

Stuart Jenkins

Lucentia

Lucentia

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