Hi there! It's Saturday evening here in Perth and I've had a very busy time at the Writers Festival so far. I'll try to put together an update soon (please join me on Instagram to see what I've been up to). In the meantime, this guest post is from Linzee McCray, reporting from QuiltCon 2015 in Austin, Texas.
Phew! That’s really the only way to sum up the first day of QuiltCon 2015. It started the day before, when nearly everyone on the airport shuttle was going to QuiltCon. Though we didn’t know one another there was an excited exchange of information about lectures we were attending or workshops we’d gotten into: there was the immediate sense of camaraderie that comes of being with those who share a similar passion.
I started Thursday by attending the awards ceremony. Though it was delayed due to technical difficulties, Modern Quilting Guild board president Jacquie Gering used her good humour to keep the crowd from getting restless. It also provided the perfect opportunity to meet the quilters around me. I chatted with Candy from Virginia, who is a grants-writer and Girl Scout leader with a fondness for African fabrics in her modern quilts. Soon she was photographing the tote bag of the woman in the next row, also stitched of African fabrics, and sharing fabric sources and design inspirations.
Jacquie took the podium once more, and before announcing the winning quilts, she shared statistics on who was at QuiltCon 2015. Attendees came from 48 U.S. states and 15 countries and were part of 109 Modern Quilt Guilds worldwide. Two quilters from Sangali, India were recognized for traveling 9,134 miles to be there.
Then it was time for the awards ceremony. More than 1,300 quilts had been entered and 359 of those accepted for exhibition in Austin. There were squeals of joy as Jacquie announced winners and those in attendance came on stage for group hugs and photos. The Best in Show quilt was the last announced: “i quilt” by Kathy York. (You can see all award-winning the quilts here.)
Those attending workshops were already in classes, learning about appliqué, curved piecing, fabric dying, and screen printing. The rest of us ventured out to lectures, the quilt exhibits, and the vendor hall, where it was hard to know where to look first. In addition to buying fabric, patterns, and books, it was possible to get a sewing-related tattoo or wave a ten-gallon hat from atop a giant aqua sewing machine (courtesy of Austin’s Stitch Lab).
My UPPERCASE name badge garnered comments. In the conference “swag bags” were complementary copies, donated by Janine, and many who had never before seen it loved it and stopped to talk with me about it. (Remember, until March 31 there is a special QuiltCon discount for new and gift subscriptions and renewals.)
Lectures scheduled throughout the day varied from how-tos (ways to improve your machine quilting or your creativity) to business matters. After wandering the vendor hall I attended a panel discussion about publishing your work, and a session titled “Quilting and the Copyright War” by Rossie Hutchinson. The thought-provoking conversations that resulted continued over lunch with friends I knew best from email—what a treat to be face-to-face with them.
The day ended with a party at Austin’s Mohawk bar, at a party sponsored by Moda fabrics. People lined up along to the block waiting to get in, and though the night was cool, the outdoor areas were filled with QuiltCon folks, taking in the Austin evening sky and chatting more about their workshops, favourite lectures, and meeting friends old and new.
Jacquie Gering seems to have set the tone for the conference at the morning’s session when she said “These days are about celebrating who we are and what we make.” The celebration is definitely in full force.