I get a lot of email and lots of submissions and suggestions and genuine interest in the magazine. It can get overwhelming in that I don't have time to reply as personally or quickly as I'd like to, but I do review everything and it all gets categorized into Evernote for future reference and possible posting on the blog. I appreciate your submissions (keep them coming!), but be patient with hearing back from me...
Amanda McCavour sent some notable examples of her installation work this week. Using thread and dissolving fabric, she sews intricate scenes of domesticity.
In my work, I use a sewing machine to create thread drawings and installations by sewing into a fabric that dissolves in water. This fabric makes it possible for me to build up the thread by sewing repeatedly into my drawn images so that when the fabric is dissolved, the image can hold together without a base. These thread images appear as though they would be easily unraveled and seemingly on the verge of falling apart, despite the works actual raveled strength.
I am interested in the vulnerability of thread, its ability to unravel, and its strength when it is sewn together. I am interested in the connections between process and materials and the way that they relate to images and spaces. Tracing actions and environments through a process of repetition, translation and dissolving, I hope to trace absence. My work is a process of making as a way of tracing and preserving things that are gone, or slowly falling apart.